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Introduction Feedback

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This one's mostly for ~PorygonV but since this is part of the Introduction, I'd figure let the public have a look at it, along with the background I'll use and the three line art pieces.

Porygon sent a ton of feedback on the three pages, for certain! All of it much needed and appreciated. After a couple Pepsi Maxes and a nap (I couldn't sleep last night :p, but it might be a good idea to give some time between someone sending the constructive criticism and your response, no?) I went through all three critiques and compile them into a One Note page where I can point the feedback to the pages so I'll know where and what needs fixing.

As you can see, I had to divide the info from "Things I can fix with the tablet" which are in green, and stuff I have to say, "Oh well, better luck next time," which is in red. (Rule of thumb, if I have to redo the whole panel (or even page) to fix one small thing, I'll redline it.) I want to go on a 2-3 page schedule, and work about a month ahead of the timestream, so I hope that I won't have to spend an eternity redoing one page over and over unless the page--or panel which I can do on a separate piece of Bristol--really needs to be redone. There's not saying that I won't take the advice; I'm sure to work on Amber's arms and hips in future pages, and I want to try out something on how to do Johnny's arm frails and work on connecting all the arms to one socket on the next frail.

What I want to do right now is to progress as I go. My goals for this comic are, in order, 1) provide an alternative to being a barfly for the rest of my life, 2) progress on my art style (I think I hear applause here), and 3) eventually get this comic good enough to be published. Right now I'm focusing more on Point 1, as you would tell, but I might as well work on Point 2 as I'm doing so.

As for felt pens. I'll probably use them to supplement the fountain pens for now, to add detail and modify line weight, and if I get used to them, transition over to all felts. Right now using nibs feels more natural to me, and since I can get heavy handed on the artwork, I feel that I'd ruin the tip of these felt tip pens as soon as I open them up and draw with them.

Probably the most important tip I got from the three critiques is that I need to spend more time with the human characters in the comic. That's something I feel that I'll get as I work along, starting with the Pitch Bible, which I'll work on in NaNoWriMo. Just another place for progression in my art style as I move along the pages.
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PorygonV's avatar
When it comes time to publish strips, it would be in your best interests to discuss dialogue live with someone. It would help in conveying what you want to say clearly to your readers, and seeing the text will help cut down on typos that don't belong in a finished project. Doing so with people in real time will provide expedient feedback and head off problems before they arise.

If there's nobody online to discuss with, another useful thing to do is say the dialogue you're writing aloud. Let your ears perceive what it sounds like; if it sounds unnatural, the words will come out awkwardly.